The Association of Dress Historians supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day.

International Conference of Dress Historians

2 November 2020 in Bristol, England

The Association of Dress Historians is delighted to announce its annual International Conference of Dress Historians, which this year is titled:


Costume Drama: A History of Clothes for Stage and Screen


The conference will be held on Monday, 2 November 2020 at the historic Coopers Hall at the Bristol Old Vic, King Street, Bristol, BS1 4ED, England. Built in 1766, Bristol Old Vic is the oldest continuously working theatre in the English–speaking world.


Please join us for an exciting day of research in dress history!


The following 17 papers will be presented in a single-panel format.

Tracing the Phantom: The Creation of a Legend

Janne Helene Arneson

The National Museum, Oslo, Norway

 

 

The Role of Costume in Communicating Experiences to Audiences in the Developing Medium of Narrative Cinema

Bethan Bide

University of Leeds, Leeds, England

 

 

Flesh Coloured Satin and Outfits a l’Antique: Costume Practises on the Early Modern Stage

Stephanie Blythman

Independent Scholar, London, England

 

 

Hollywood? Collecting Costume from the Silver Screen

Raissa Bretaña

Fashion Institute of Technology, New York, United States

 

 

Costumes as Palimpsest: Exploring the Memory and Embodiment of Narrative through Re–Used Costumes in Film and Theatre

Amelia Brookins

University College London, London, England

 

 

Extrapolating History: Researching the Under–Represented in Cinematic Depictions of Nineteenth Century Dress in Connemara, Ireland, 1845–1849

Clodagh Deegan

Independent Scholar, Dublin, Ireland

 

 

Hollywood Glamour: The Influence of Film Costume on Dressmaking Patterns in the 1930s

Victoria Haddock

University of Brighton, Brighton, England

 

 

Image and Reality: The Costumes of Modern Dance Pioneer Ruth St. Denis

Caroline Hamilton

University of Brighton, Brighton, England

 

 

Mastering the Cut: The Emergence of Historical Costume Cutting at the Central School of Art, London

Amy Hare

Bristol University, Bristol, England

 

 

Lynn Nottage’s Intimate Apparel: Clothes Tell the Story

Charlotte Headrick

Oregon State University, Corvallis, Oregon

 

 

Imperial Dreams: An Analysis of the Costume Characterisation of Anastasia Romanov

Emily Mackey

Ryerson University, Toronto, Canada

 

 

Ecclesiastical Vestments as Costume in Early Liturgical Drama

Paul McFadyen

University of Dundee, Dundee, Scotland

 

 

In the Closet with Gentleman Jack: A Nineteenth Century Lesbian Dressed for the Modern Eye

Eleanor Medhurst

University of Brighton, Brighton, England

 

 

…And the Dresses Designed by Miss Rein

Rebecca Morrison

Queen Mary University and V&A, London, England

 

 

Sweeping Statements: The Cape in American Cinema, 1920–1935

Stephanie Sporn

New York University, New York, United States

 

 

Second–Hand Shylock: Material Recycling of a Theatrical Type

Gary Watt

University of Warwick, Coventry, England

 

 

Disrobing the Dragon: Deconstructing the Qipao in American Cinema

Felicia Yao

Independent Scholar, New Orleans, Louisiana, United States

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The Association of Dress Historians (ADH)
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