The Association of Dress Historians supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day.
Mariza Galindo and Emmy Sale are the ADH executive committee members who lead the ADH Communications Sub-Committee, comprised of the following ADH members.
Mariza Galindo is Marketing and Communications Officer of The Association of Dress Historians. She is a researcher and designer with a global perspective in fashion and emerging technologies, and an interest in Indigenous craft techniques, digital fabrication, and sustainable applications of synthetic biology. Mariza holds an MA in Fashion Studies from Parsons School of Design, New York. Her current research aims to develop materials that employ natural ecosystems as inspiration for a production process that produces no waste. Mariza is passionate about advancing public interest in sustainable practices of textile design and engineering, and actively seeks collaborations that can exert intergenerational responsibility and help reduce the fashion and textile industry’s social and environmental impact. Mariza can be reached at email email@example.com.
Emmy Sale holds a BA in Fashion and Dress History and an MA in History of Design and Material Culture, from The University of Brighton. Her research interests include homemade clothing, women’s periodicals, and interwar beachwear. Emmy has been the recipient of the following awards during her studies: The Association of Dress Historians Student Fellowship 2018, Design History Society Student Essay Prize 2018, and The Costume Society’s The Yarwood Award 2019. Emmy published an article, titled, “‘It Is Not Impossible to Look Nice Sitting About on the Beach:’ The Influence of Magazines in the Making and Wearing of Hand-Knitting Bathing Suits by Young Working Women in England during the 1930s,” in the Autumn 2018 issue of The Journal of Dress History. Emmy is Social Media Officer of The Association of Dress Historians, and her role involves overseeing the ADH social media platforms. Emmy can be reached at email firstname.lastname@example.org.
Caroleen Molenaar is one of the Digital Communications Assistants for The Association of Dress Historians. She is an emerging dress historian and museum professional and has recently completed an MA in Museum Studies at the University of Leicester, England. Her MA dissertation focused on how Canadian museums have decolonized Canadian Indigenous clothing in their online museum collections. Currently, Caroleen is researching Canada’s diverse fashion history, sustainable fashion practices, as well as the role and display of fashion in museums. Her published works include two book reviews in The Journal of Dress History, an article regarding Indigenous Oral Traditions in Encyclopedia Canada, and an upcoming exhibition review in the Textile History journal.
Sofia Nadjimov is a Communications Assistant of The Association of Dress Historians. Sofia holds an MA in Fashion Studies from Parsons School of Design, New York, and a BA in Journalism from City, University of London. Her research interests lie in the intersections between fashion, cinema, and urban landscapes; namely unravelling how clothing, imbued with its own symbolic meaning, can be read much like a text, and is pivotal in the construction of identity on screen. Her Master’s thesis explores the role of fashion in weaving together the “look” of French New Wave cinema through the early work of director Jean–Luc Godard. It views costume as a primary signifier of the shifting values and ideals of post-war youth in Paris.
Jennifer Sweetapple graduated from George Mason University in 2016, with a BA in Art History, focusing on Asian art. Jennifer earned an MLitt in Dress and Textile Histories in 2017 at The University of Glasgow, Scotland. Her Master’s dissertation focused on the evolution of fantasy costume in film as seen in various versions of Cinderella. Other research interests include military history and Victorian clothing and accessories. Jennifer has since worked at Gunston Hall in Mason Neck, Virginia, USA, the home of one of America’s founding fathers. Most recently, she spent time as the Head Cataloguer for rare books and ephemera at a local auction house.
Carson Evans has worn many hats, both literally and figuratively. She holds a BA in Humanities from Yale and an MFA in Graphic Design from Rhode Island School of Design (RISD). Currently she works as the Digital Content Fellow at the RISD Museum, making video content for exhibitions and web, and producing and designing digital publications. A seamstress and historical dress enthusiast from a young age, she originally imagined her future self as a costume designer. Life proved to be less straightforward, but her interest in historical clothing has manifested itself across her various pursuits. This fixation found fulfillment in her MFA thesis work, where she explored the complexities of reenactment and the female body through performance and video.
Georgia Mulvaney-Thomerson is currently Exhibitions Coordinator at the Design Museum, London, where she works to deliver engaging shows. Georgia previously worked as the Research Assistant for the exhibition, Bags: Inside Out, at The Victoria and Albert Museum, London, where her research ranged from sixteenth century burses to contemporary luxury handbags. She holds a BA in Fashion History and Theory from Central Saint Martins, University of the Arts London. With a love of objects, during 2017-2018 Georgia was Archive Assistant at Manolo Blahnik International Limited, where she focused on enhancing the cataloguing of the brand’s shoes, paper designs, and press materials. In addition to accessories, her research interests include Rococo dress, and the relationship between fashion designers and their muses, including themes of identity and fame.
Emma Louise Rixhon graduated in 2019 with an MA in Fashion Critical Studies from Central Saint Martins, University of the Arts London. Their Master’s dissertation focused on bootleg designer fashion and its ability to destabilise hierarchies, as well as create new modes of luxury. Their bootleg garments were featured in “The Real Thing” at the Fashion Space Gallery, and they continue to make garments using repurposed fabric and natural dye. Emma Louise will be starting a PhD in Autumn 2021 at London College of Fashion, University of the Arts London, exploring the unique gender roles and working conditions of male models in London.
Over the past year, the ADH Communications Sub-Committee has been working hard on expanding our media presence to promote the work of our charity.
If you don’t follow us already, please see the links below for our online profiles.
Facebook page: https://www.facebook.com/DressHistorians
Facebook profile (for our ADH members’ group): search “Dress Historians” or it can be found here: www.facebook.com/dresshistoriansmembers
Twitter: @DressHistorians or it can be found here: https://twitter.com/DressHistorians
Instagram: @dresshistorians or it can be found here: https://www.instagram.com/dresshistorians
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The Association of Dress Historians (ADH)
Registered Charity #1014876 of The Charity Commission for England and Wales