The Association of Dress Historians supports and promotes the study and professional practice of the history of dress, textiles, and accessories of all cultures and regions of the world, from before classical antiquity to the present day.

ADH Communications

Creative Director:
situation vacant

The role of Creative Director is currently under recruitment.

Social Media Coordinator: situation vacant

The role of Social Media Coordinator is currently under recruitment.

Caroleen Molenaar
Caroleen Molenaar,
Digital Communications Assistant

Caroleen Molenaar is one of the Digital Communications Assistants for The Association of Dress Historians. She is an emerging dress historian and museum professional and has recently completed an MA in Museum Studies at the University of Leicester, England. Her MA dissertation focused on how Canadian museums have decolonized Canadian Indigenous clothing in their online museum collections. Currently, Caroleen is researching Canada’s diverse fashion history, sustainable fashion practices, as well as the role and display of fashion in museums. Her published works include two book reviews in The Journal of Dress History, an article regarding Indigenous Oral Traditions in Encyclopedia Canada, and an upcoming exhibition review in the Textile History journal.

Sofia Nadjmov
Sofia Nadjimov,
Communications Assistant

Sofia Nadjimov is a Communications Assistant of The Association of Dress Historians. Sofia holds an MA in Fashion Studies from Parsons School of Design, New York, and a BA in Journalism from City, University of London. Her research interests lie in the intersections between fashion, cinema, and urban landscapes; namely unravelling how clothing, imbued with its own symbolic meaning, can be read much like a text, and is pivotal in the construction of identity on screen. Her Master’s thesis explores the role of fashion in weaving together the “look” of French New Wave cinema through the early work of director Jean–Luc Godard. It views costume as a primary signifier of the shifting values and ideals of post-war youth in Paris.

Jennifer Sweetapple
Jennifer Sweetapple,
Digital Communications Assistant

Jennifer Sweetapple graduated from George Mason University in 2016, with a BA in Art History, focusing on Asian art. Jennifer earned an MLitt in Dress and Textile Histories in 2017 at The University of Glasgow, Scotland. Her Master’s dissertation focused on the evolution of fantasy costume in film as seen in various versions of Cinderella. Other research interests include military history and Victorian clothing and accessories. Jennifer has since worked at Gunston Hall in Mason Neck, Virginia, USA, the home of one of America’s founding fathers. Most recently, she spent time as the Head Cataloguer for rare books and ephemera at a local auction house.

Graphic Designer:
situation vacant

The role of Graphic Designer is currently under recruitment.

Georgia Mulvaney-Thomerson
Georgia Mulvaney-Thomerson,
Content Creator

Georgia Mulvaney-Thomerson is currently Exhibitions Coordinator at the Design Museum, London, where she works to deliver engaging shows. Georgia previously worked as the Research Assistant for the exhibition, Bags: Inside Out, at The Victoria and Albert Museum, London, where her research ranged from sixteenth century burses to contemporary luxury handbags. She holds a BA in Fashion History and Theory from Central Saint Martins, University of the Arts London. With a love of objects, during 2017-2018 Georgia was Archive Assistant at Manolo Blahnik International Limited, where she focused on enhancing the cataloguing of the brand’s shoes, paper designs, and press materials. In addition to accessories, her research interests include Rococo dress, and the relationship between fashion designers and their muses, including themes of identity and fame.

Emma Louise Rixhon
Emma Louise Rixhon,
Content Creator

Emma Louise Rixhon graduated in 2019 with an MA in Fashion Critical Studies from Central Saint Martins, University of the Arts London. Their Master’s dissertation focused on bootleg designer fashion and its ability to destabilise hierarchies, as well as create new modes of luxury. Their bootleg garments were featured in “The Real Thing” at the Fashion Space Gallery, and they continue to make garments using repurposed fabric and natural dye. Emma Louise will be starting a PhD in Autumn 2021 at London College of Fashion, University of the Arts London, exploring the unique gender roles and working conditions of male models in London. 

Over the past year, the ADH Communications Sub-Committee has been working hard on expanding our media presence to promote the work of our charity.

If you don’t follow us already, please see the links below for our online profiles.

Facebook page: https://www.facebook.com/DressHistorians

Twitter: @DressHistorians or it can be found here: https://twitter.com/DressHistorians

Instagram: @dresshistorians or it can be found here: https://www.instagram.com/dresshistorians

LinkedIn: https://www.linkedin.com/in/the-association-of-dress-historians-b24788181


Copyright © 2021
The Association of Dress Historians (ADH)
Registered Charity #1014876 of The Charity Commission for England and Wales

Join our mailing list for periodic updates!

Looking for a list of organisations
and universities that support
dress history research?

The Association of Dress Historians